Vessel Blurryface Self Titled Vessel Blurryface Self Titled Art
Blurryface (stylized every bit BLURRYFΛCE ) is the 4th album released by the American duo Twenty One Pilots. It is the band's second studio album released through Fueled past Ramen. Originally gear up to be released on May 19, 2015, it was released two days early by the ring on May 17, via iTunes. The album was preceded by its lead single, Fairly Local, released on March 17, 2015. As of July 2018, the album has sold 3,000,000 copies in the United States. The album contains the Billboard Hot 100 tiptop-five single, Stressed Out , which reached number ii in Feb 2016.
Contents
- 1 Tracklist
- 2 Background and recording
- three Concept
- 4 Artwork and packaging
- five Release
- half dozen Reception
- 6.1 Disquisitional reception
- 6.ii Commercial performance
- 7 Credits
Tracklist
All songs written by Tyler Joseph.
| No. | Title | Producer(s) | Length |
|---|---|---|---|
| 1. | Heavydirtysoul | Ricky Reed | 3:55 |
| 2. | Stressed Out | Mike Elizondo | 3:22 |
| 3. | Ride | Reed | 3:35 |
| 4. | Fairly Local | Reed | 3:27 |
| 5. | Tear in My Heart | Reed | 3:09 |
| vi. | Lane Boy | Reed | 4:xiii |
| seven. | The Guess | Mike Crossey | 3:45 |
| eight. | Doubt | Reed | 3:12 |
| ix. | Polarize | Elizondo | 3:47 |
| 10. | We Don't Believe What's on TV | Reed | ii:57 |
| 11. | Message Human being | Tim Anderson | 4:00 |
| 12. | Hometown | Elizondo | iii:55 |
| xiii. | Not Today | Elizondo | 3:58 |
| xiv. | Goner | Reed | 3:57 |
| Japanese bonus tracks | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| No. | Championship | Producer(s) | Length | ||||||
| 15. | Guns for Easily | Greg Wells | four:33 | ||||||
| 16. | Lovely | Wells | 4:xviii | ||||||
Groundwork and recording
Following the release of their tertiary album Vessel (2013), the band toured extensively in support of the album worldwide. While on tour the band had a portable recording studio that allowed them to lay down ideas.
Concept
The album is named later on a character the band created called Blurryface. According to Joseph, he "represents all the things that I every bit an individual, but also everyone around, are insecure about." Joseph wears black pigment on his easily and neck during his live shows and music videos for the album, to stand for Blurryface, saying: "Very dramatic, I know, but it helps me get into that grapheme."
Artwork and packaging
Art direction and blueprint was washed past Brandon Rike, Reel Bear Media and Virgilio Tzaj. Rob Gold was the fine art manager, while Josh Skubel was in charge of packaging production. Jabari Jacobs provided photography.
Brandon Rike was charged with artwork creation and branding for the band'due south 2nd album. Coinciding with the release of the album, Rike shared the ideas and journey behind the artwork on Blurryface, likewise equally the new branding for the band.
Rike'south diverse designs and typography for Blurryface
On the cosmos of the new logo Rike writes:
The outset stride in rewarding the defended fan base was to cede the established bars symbol for the simple symbol that fans often included in their social media profiles and comments. Instead of a solidified logo, I thought that we should give the fans their logo. A typed bar, a hyphen, and a slash. Introducing the new Xx One Pilots symbol: |-/ . This fashion, the fans have the ability to create their favorite band'due south logo correctly, and spread the word throughout their online lives. A elementary ode to a dedicated fanbase.
On the cover artwork, Rike likewise details:
Tyler showed me nine dots, and his thought for making the nine dots resemble the bars logo. The thought, simple in nature, seemed to be iconic enough for the anthology cover. Add in the patterns, and the narrative backside them, and something began taking shape. Incorporating the Blurryface character as another "layer" both figuratively and literally, was perchance my favorite finishing touch. I especially like the thought that you can "have him out."
Release
On March 17, 2015, the band announced the album's title, track listing and release date. The band's fans crashed their website attempting to pre-order the album. The band released their new single "Fairly Local" on the same day accompanied by its music video which premiered on official Fueled by Ramen YouTube aqueduct.
On April 6, the band released the second single of the anthology, "Tear in My Centre", with an official music video released through YouTube. The third single, "Stressed Out", was released on April 28 with a music video. On May 4, 2015, the band posted a YouTube video streaming the audio of the anthology'due south 6th track, "Lane Boy", and released "Ride" seven days afterward through the aforementioned media; both were also singles, being released on the 4th and 12th, respectively. Between the 11th and the 14th the band toured the UK. The music video for "Ride" was released on May xiv, directed by Reel Bear Media.
On May xix, 2015, the duo performed at the iHeartRadio Theater LA in Burbank, CA to celebrate the album's release. The concert was livestreamed on iHeartRadio's website. The band has shows and festival stops lasting from May nineteen to December fourteen. On July twenty, the music video for "Lane Boy" was released. The band is gear up to play the UK in November. The bout sold out in a matter of minutes.
The album is available on CD, digital download, a blackness two-vinyl set, a express edition divide-color (Black/Red) two disk vinyl set, and a express-edition reddish cassette tape. A Hot Topic exclusive vinyl likewise exists, which is decorated to expect similar an ink-absorb. As no two disks are exactly the same, these vinyls are extremely rare and are worth hundreds of dollars each. The Hot Topic sectional Vinyls are not available from whatsoever official TOP stores, and are no longer sold by Hot Topic.
Reception
Disquisitional reception
| Professional ratings | |
|---|---|
| Amass scores | |
| Source | Rating |
| Metacritic | 80/100 |
| Review scores | |
| Source | Rating |
| AllMusic |   |
| Alternative Printing |  |
| The Austin Chronicle | |
| Billboard | |
| Cleveland.com | B |
| Kerrang! | 4/v |
| Rolling Stone Australia | |
| Sputnikmusic | three.5/5 |
Blurryface received generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from music critics, the album has received an boilerplate score of fourscore, based on five reviews, signifying "generally favorable reviews". Garrett Kamps of Billboard hailed the anthology as a "hot mess (in a good mode)", but gave it a mixed review, saying that Blurryface "doesn't quite reach the heights of Vessel".
Sputnikmusic and Alternative Printing gave Blurryface favorable reviews, with the latter being the more than positive. Their critic, Jason Pettigrew, described the album as "wonderful" and hailed the band'southward mix of genres in their songs, highlighting "Ride", "Polarize", "Message Human being", "Tear in My Center", "We Don't Believe What'due south on TV", "Goner" and "Lane Boy" in his review.
The album was ranked at number 1 in Alternative Printing' "ten Essential Records of 2015" listing. Jason Pettigrew of Alternative Press wrote that the band combined "hip-hop vistas, tinges of reggae, every human pop and furious electronic urgency and disagreeable sadness into an impossibly cohesive record." The anthology was included at number 2 on Rock Sound'south top 50 releases of 2015 list. Blurryface was nominated for Album Of The Year at the 2016 Alternative Printing Music Awards. The album also won the category of "Top Stone Album" at the Billboard Music Awards.
Commercial performance
Blurryface debuted at number one on the Billboard 200, earning 147,000 album-equivalent units (134,000 pure album sales) in the United States in its first week, making it 20 I Pilots' highest charting anthology and marking the band's highest opening week in the U.S. The grouping also made their offset appearance on the U.k. top 40 with Blurryface debuting at number 14. By November 2015, the album sold 500,000 copies worldwide. The following month, it was announced the album's U.S. sales was over 505,000 copies. By January 2016, the album had sold 592,000 copies in the U.South. Ii months after, the album's U.S. sales had risen to 753,000 copies. By the end of March, the album's U.S. sales stood at 792,000. By mid-June, the album had sold 924,000 copies, and over 1 one thousand thousand by belatedly July. The album has since been certified aureate in Canada and platinum in the U.S.
Since March iii, 2017, Blurryface has been 3x-Platinum Certified by the RIAA, marker over 3,000,000 copies sold.
On March 1, 2018, RIAA announced that Blurryface was the first anthology of the digital era to accept every song RIAA certified, with Hometown'south contempo Gilded certification, marking 500,000 copies.
| Rail | RIAA Certification | Date of Certification |
|---|---|---|
| Heavydirtysoul |  Platinum | March 1, 2018 |
| Stressed Out | 8x-Platinum | July 31, 2019 |
| Ride | 6x-Platinum | Oct 18, 2019 |
| Fairly Local | Platinum | March one, 2018 |
| Tear in My Center | 2x-Platinum | March ane, 2018 |
| Lane Boy | Platinum | August 21, 2017 |
| The Approximate | Platinum | January 17, 2019 |
| Doubt |  Gilt | January 6, 2017 |
| Polarize | Gold | January vi, 2017 |
| We Don't Believe What'south on Tv | Gold | October xiii, 2017 |
| Bulletin Human being | Golden | June 23, 2017 |
| Hometown | Gilt | March 1, 2018 |
| Not Today | Gold | Feb 14, 2018 |
| Goner | Gold | Jan 26, 2018 |
Credits
Credits adapted from liner notes.
| Writers and producers | Tyler Joseph, Chris Woltman, Ricky Reed, Mike Elizondo, Mike Crossey and Tim Anderson |
| Recorded in | Usa  , U.k.  |
| Instrumentation | Tyler Joseph and Josh Dun |
| Boosted instrumentation | Ricky Reed (Bass), Mike Elizondo (Upright Bass, Bass, Keyboards, Synth Bass, Guitar, Hammond B3), Mike Crossey (Bass, Synths), Tim Anderson (Synths), Danny T. Levin (Trumpet, Trombone, Euphonium) and David Moyer (Tenor Sax, Alto Sax, Bariton Sax, Flute) |
| Lead Vocals | Tyler Joseph |
| Additional Vocals | Josh Dun, Ricky Reed, Mike Elizondo, Mike Crossey and Jonathan Gilmore. |
| Engineered past | Drew Kapner, Adam Hawkins, Joe Viers, Jonathan Gilmore and Chris Spilfogel. |
| Assisted by | Scott Skyrzynski, Michael Peterson, Brent Arrowood, Alex Gruszecki, Victor Luevanos and Seth Perez. |
| A&R | Pete Ganbarg |
| Art direction and pattern | Brandon Rike, Reel Acquit Media and Virgilio Tzaj |
| Photography | Jabari Jacobs |
| Art management | Rob Gold |
| Packaging production | Josh Skubel |
| Mixed by | Neal Avron |
| Mastered by | Chris Gheringer at Sterling Sound, New York |
| Published past |
|
| Twenty One Pilots | ||
|---|---|---|
| About | Twenty One Pilots • Tyler Joseph • Josh Dun | |
| Studio albums | Xx One Pilots • Regional at All-time • Vessel • Blurryface • Trench • Scaled and Icy | |
| EPs | Three Songs • Migraine (EP) • Holding on to You (EP) • Quiet Is Violent • The LC LP • Double Sided • TOPxMM • Trench 10" Triplet EP • Location Sessions | |
| Live albums | Blurryface Live • Scaled and Icy (Livestream Version) | |
| Singles | Holding on to Yous • Guns for Hands • Lovely • Firm of Gold • Fake Y'all Out • Auto Radio • Fairly Local • Tear in My Heart • Stressed Out • Lane Male child • Ride • Heathens • Heavydirtysoul • Cancer • One-piece • Nico and the Niners • Levitate • My Blood • Chlorine • The Hype • Level of Concern • Christmas Saves the Twelvemonth • Shy Abroad • Choker • Sabbatum | |
| Tours | More often than not Nov Bout • Blurryface Earth Tour • Emotional Roadshow Globe Tour • Tour De Columbus • The Bandito Tour • Takeover Tour • The Icy Bout | |
Source: https://twentyonepilots.fandom.com/wiki/Blurryface
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